Original description of the card by the author – Arthur Edward Waite: He is riding in full course, as if scattering his enemies. In the design he is really a proto-typical hero of romantic chivalry. He might almost be Galahad, whose sword is swift and sure because he is clean of heart.

In this tarot spread the card has complementary explanation: No regrets. He was no good for you, anyway. He didn’t understand you. He had no clue what it means to love.

Original description of the card by the author – Arthur Edward Waite: The effigy of a knight in the attitude of prayer, at full length upon his tomb.

In relation to love and feelings, this card has additional arcanum: Fortune favors the bold. One doesn’t win glory by hiding behind the lines.

Original description of the card by the author – Arthur Edward Waite: In this symbol I have again followed the reconstruction of Eliphas Lévi, who has furnished several variants. It is legitimate—as I have intimated—to use Egyptian symbolism when this serves our purpose, provided that no theory of origin is implied therein. I have, however, presented Typhon in his serpent form. The symbolism is, of course, not exclusively Egyptian, as the four Living Creatures of Ezekiel occupy the angles of the card, and the wheel itself follows other indications of Lévi in respect of Ezekiel’s vision, as illustrative of the particular Tarot Key. With the French occultist, and in the design itself, the symbolic picture stands for the perpetual motion of a fluidic universe and for the flux of human life. The Sphinx is the equilibrium therein. The transliteration of Taro as Rota is inscribed on the wheel, counterchanged with the letters of the Divine Name—to show that Providence is implied through all. But this is the Divine intention within, and the similar intention without is exemplified by the four Living Creatures. Sometimes the sphinx is represented couchant on a pedestal above, which defrauds the symbolism by stultifying the essential idea of stability amidst movement.

Behind the general notion expressed in the symbol there lies the denial of chance and the fatality which is implied therein. It may be added that, from the days of Lévi onward, the occult explanations of this card are—even for occultism itself—of a singularly fatuous kind. It has been said to mean principle, fecundity, virile honor, ruling authority, etc. The findings of common fortune-telling are better than this on their own plane.

The signifficance for love is explained by specific arcanum: I’m waiting with baited breath to hear that silver tongue of yours.

Original description of the card by the author – Arthur Edward Waite: The distinction between this card and some of the conventional types is that the moon is increasing on what is called the side of mercy, to the right of the observer. It has sixteen chief and sixteen secondary rays. The card represents life of the imagination apart from life of the spirit. The path between the towers is the issue into the unknown. The dog and the wolf are the fears of the natural mind in the presence of that place of exit, when there is only reflected light to guide it.

The last reference is a key to another form of symbolism. The intellectual light is a reflection and beyond it is the unknown mystery which it cannot show forth. It illuminates our animal nature, types of which are represented below—the dog, the wolf and that which comes up out of the deeps, the nameless and hideous tendency which is lower than the savage beast. It strives to attain manifestation, symbolized by crawling from the abyss of water to the land, but as a rule it sinks back whence it came. The face of the mind directs a calm gaze upon the unrest below, the dew of thought falls, the message is: Peace, be still, and it may be that there shall come a calm upon the animal nature, while the abyss beneath shall cease from giving up a form.